And It Don’t Stop

Reviews of L'Afrique Danse No. 1, Courtney Barnett, Carsie Blanton, Swamp Dogg, Dana Maragos, Ratboys, Jenny Reynolds, Bob Bert, Tierra Whack, Earl "Guitar" Williams, Tucker Zimmerman, and more.

Dream concerts, the Smiths not reevaluated, 'Last Critic' still on the festival circuit, Shakira's hips still not lying, once more to Monterey, whither the vinyl, and the sameyest great artist ever.

Reviews of Adam Brodsky, Florence Dore, K.A.A.N., Ashley McBryde, Olof Dreijer, Golomb, March to August, The New Pornographers, This Is Lorelei, The Rough Guide to Bachata, and more.

"Dylan Album of the Decade," from "Creem," 1973

Upgrades/downgrades, salvaging Hendrix's guitar at Monterey Pop, listening to the Eagles, not listening to classical music, and coming to a theater near you (if you're in D.C. or Provincetown).

Reviews of African Scream Contest, Carsie Blanton & The Burning Hell, Taj Mahal & Keb’ Mo’, Aesop Rock & Homeboy Sandman, Black Nile, The Messthetics and James Brandon Lewis, Nandipha808, and more.

The 61 best albums of last year (or so)

"The Dead Make It Real In Jersey City," Newsday, July 30, 1972

Reviews of Sky Smeed, Willie Nelson, Robyn, Allo Darlin', De La Soul, The Delines, Dorisburg, Gurf Morlix, Van Morrison, Bill Orcutt, Jefferson Ross, Twisted Teens, and Vaiano’s Paisanos.

On Joe Boyd's reading (with film clips) at the Film Forum

Notes from the premiere of the documentary "The Last Critic" at SXSW

Growing up pop, band dreams vs. critical practice, The Only Ones on record and in print, Yankee Hotel Mea Culpa, the Tallahatchie Bridge not taken, and sixteen live ones.

At the top: Aesop Rock, Buck 65, Masaka Kids Africana, and The Paranoid Style. Plus: The Cucumbers, Gogol Bordello, Madonna, Charli XCX, and Abdallah Oumbadougou's desert blues.

Some health notes, Bird: still lives, the live Dead, the A shelves explained, reissues not reevaluated, and some faves.

One of the great interpretive singers of our epoch takes on Lou Reed, abstract and impressive amapiano, the most explicitly leftist album in far too long, and a reliable Nashvillian with 11 winners

Favorite instruments, Xgau at the radar station, classical colleagues, Phish still fishy, heavy reading, and wanker's delight.

Detailed and complicated songs of marital strife, super rhyming over a panopoly of speedy beats, an A+ Thelonius Monk compilation, and an ancient Ugandan instrument provides brand new kicks.

What's in a name, live vs. recorded, tuneful vs. melodic, Pulnoc at P.S. 122, a lost Clash cassette, and a half-century-plus of delightful rhetoric.

"Preaching Agnosticism (With Laugh Lines)," from "The Barnes & Noble Review," April 30, 2012

Shameless beauty track after track, an inspirational Afropop surprise, mood pieces suitable for the despondent historical moment, and a country album that fights the blues with more blues.